© » KADIST
Curran Hatleberg
Untitled (Man with Bees) is part of Curran Hatleberg’s attempt to make sense of the current state of the “American Dream”, or lack thereof. “Without question our present American experience feels increasingly strange, unnerving and dreamlike. Our country is utterly different and changed now in its present iteration – surreal and confounding – and we can’t help but regard it with a confounded stare that we hold in reserve for the most bizarre and difficult circumstances.” This image is one, like many in the series that find something poetic, supernatural, and surreal in the common human condition of middle America.
Curran Hatleberg
Curran Hatleberg spends extended amounts of time with his subjects, usually months, building a rapport, building trust, until finally making images with them...
© » FAD MAGAZINE
about 3 months ago (02/01/2024)
Tate Modern announce new partnership with Asymmetry Art Foundation - FAD Magazine Skip to content By Mark Westall • 1 February 2024 Share — Tate Modern © Tate Photography Tate Modern has announced today a new partnership with Asymmetry Art Foundation enabling Alvin Li to be appointed to the role of Curator, International Art and Hera Chan to be appointed Adjunct Curator, Asia-Pacific ...
© » TRIBLIVE
about 3 months ago (01/22/2024)
$1M artwork allegedly stolen by Nazis and once housed at Carnegie Museum returned to heirs | TribLIVE.com Art & Museums $1M artwork allegedly stolen by Nazis and once housed at Carnegie Museum returned to heirs Ryan Deto Sunday, Jan...
© » THEARTNEWSPER
about 5 months ago (12/18/2023)
A new book explores the life of a pioneering Irish stained-glass artist through his glorious creations Art market Museums & heritage Exhibitions Books Podcasts Columns Technology Adventures with Van Gogh Search Search Books review A new book explores the life of a pioneering Irish stained-glass artist through his glorious creations Michael Healy’s reclusiveness belied his trailblazing role in Ireland's most prestigious studio of its kind Maev Kennedy 18 December 2023 Share Detail of The Potter (1923), at the Church of the Most Holy Rosary in Bridge a Crinn, County Louth, Ireland Photo: Jozef Vrtiel The saints and angels created in the early 20th century by the Irish stained-glass artist Michael Healy look down in a blaze of heavenly light from a jewelled world...
© » ASX
about 5 months ago (12/14/2023)
Curran Hatleberg – Lost Coast & River’s Dream – AMERICAN SUBURB X Skip to content There is a strange and perplexing photograph in Curran Hatleberg’s photobook, River’s Dream (TBW, 2022), which shows a man with a large swarm of bees attached to his face and body...
© » ARTS EQUATOR
about 17 months ago (11/28/2022)
Criticism and Tears: The Emotional is Political in the Marcos State | ArtsEquator Skip to content When a film taps on emotions to distort historical facts, criticism that uses a rational, adversarial voice, above the work and the audiences who enjoy it may fail to dislodge the emotive power of the work’s narrative...
© » LARRY'S LIST
about 19 months ago (10/05/2022)
Over the course of 40 years, Alvin Hall has amassed a trove of blue-chip artists merely by trusting his eye....
© » ARTS EQUATOR
about 21 months ago (08/04/2022)
A Gap in the Telling: Review of Virgin Labfest 17 | ArtsEquator Skip to content While acknowledging the value of art in addressing national trauma, Pristine de Leon raises questions about the limits, and ethics of representation on stage...
© » ARTS EQUATOR
about 26 months ago (03/29/2022)
Opposition: Cycles of love, forces of change | ArtsEquator Skip to content Faezah Zulkifli dissects Opposition - a multilayered narrative of the relationships people have with one another, with themselves and the spaces they inhabit...
© » ARTS EQUATOR
about 29 months ago (12/16/2021)
Our Cultural Medallion Story: 3 ways to explore this showcase of Singapore artists | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of Arts House Limited December 16, 2021 By Janice Yap A new interactive showcase is shining the spotlight on the 130 artists who have been conferred the Cultural Medallion, Singapore’s highest accolade for the arts...
© » ARTS EQUATOR
about 29 months ago (12/11/2021)
Podcast 99: The Mother and ________ Can Change | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Crispian Chan / Tuckys Photography December 12, 2021 In this episode of the ArtsEquator theatre podcast, Naeem Kapadia, Matthew Lyon and Nabilah Said discuss two productions: The Mother by Pangdemonium, and ________ Can Change by The Necessary Stage...
© » ARTS EQUATOR
about 29 months ago (12/07/2021)
WrICE 2021: Writers Ask Writers, Asia Pacific edition | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints December 7, 2021 We asked 11 writers and translators of poetry, fiction and non-fiction to participate in an exquisite corpse -like Q&A session, with each person answering a question and then asking one...
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about 35 months ago (06/16/2021)
Drama Lessons: Key takeaways from the SDEA Theatre Arts Conference 2021 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Courtesy of SDEA June 16, 2021 By Sarah Tang The much-anticipated SDEA Theatre Arts Conference came to a close on 30 May after nine days of workshops, masterclasses and presentations by theatre practitioners and drama educators from 14 countries including India, Greece, United Kingdom (UK), Singapore and Australia...
© » ARTS EQUATOR
about 37 months ago (04/14/2021)
Model Citizens: Pursuit of happiness, prosperity and progress | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Tuckys Photography April 14, 2021 By Naive Gascon (1,215 words, 4-minute read) Note: This review contains some spoilers...
© » ARTS EQUATOR
about 38 months ago (03/09/2021)
The future of The Substation: A timeline of events (Updated) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles The Substation Facebook Page March 9, 2021 By Ke Weiliang, with assistance from Nabilah Said Last updated: 12 Nov 2021 ArtsEquator has compiled a timeline of events that details recent developments surrounding the future of The Substation...
© » ARTS EQUATOR
about 38 months ago (03/09/2021)
The Substation: An unstoppable force and an immovable object | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints The Substation's Facebook page, taken by Mish'aal March 9, 2021 By Nabilah Said, with additional reporting by Ke Weiliang On Saturday, 6 March 2021, almost 300 members of the arts community came together in a Zoom Townhall to discuss the fate of independent arts centre The Substation...
© » ARTS EQUATOR
about 39 months ago (02/16/2021)
Cakap-Cakap: Interview with Charlinda Pereira and Rebekah Sangeetha Dorai for subTITLED 1.0 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles February 16, 2021 ArtsEquator chats with producer and production stage manager, Charlinda Pereira and actress, Rebekah Sangeetha Dorai about their upcoming work subTITLED 1.0 by Bridging The Gap (BTG)...
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about 42 months ago (11/16/2020)
(Episode 1) What's in a Scene - 《大狗民》Citizen Dog by The Finger Players | ArtsEquator Skip to content In this episode, Liu Xiaoyi and Oliver Chong unpack a scene from The Finger Players 十指帮 ‘s 《大狗民》Citizen Dog and talk about the set design, costume design and more...
© » ARTNEWS RETROSPECTIVE
about 43 months ago (11/04/2020)
Curator Lauren Haynes Revisits ARTnews’s 1966 Profile of Spiral Group – ARTnews.com Skip to main content By Alex Greenberger Plus Icon Alex Greenberger Senior Editor, ARTnews View All November 4, 2020 5:15pm ©ARTnews I n 1963, 14 Black artists in New York formed the Spiral group...
© » ARTS EQUATOR
about 46 months ago (07/28/2020)
Weekly Southeast Asia Radar: Eisner Winner Erica Eng; Pinoy rap and Duterte | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Alberto Prieto via Urbanist Hanoi July 28, 2020 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
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about 51 months ago (02/12/2020)
Behind the scenes with the Women of SIFA | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles SIFA February 13, 2020 By Nabilah Said ArtsEquator speaks to four women that are part of the local commissions of SIFA 2020 – Siti Khalijah Zainal , Jodi Chan , Ellison Tan and Mia Chee ...
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about 55 months ago (10/22/2019)
Weekly Southeast Asia Radar: Vietnam's new costume institute; Is Penang's art scene dead? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Radar Jitti Chompee October 22, 2019 ArtsEquator’s Southeast Asia Radar features articles and posts about arts and culture in Southeast Asia, drawn from local and regional websites and publications – aggregated content from outside sources, so we are exposed to a multitude of voices in the region...
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about 56 months ago (10/13/2019)
5 Singapore poems not to quote out of context | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Elliot Wong October 13, 2019 By Nabilah Said (2,500 words, 7-minute read) In 1968, Lee Kuan Yew uttered the words “Poetry is a luxury we cannot afford” to a roomful of University of Singapore students...
© » ARTS EQUATOR
about 57 months ago (09/01/2019)
Podcast 64: The Orange Production 2019 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia ArtsEquator Viewpoints Gabriel Chia September 1, 2019 Duration: 37 min In this latest podcast, ArtsEquator editor Nabilah Said and theatre reviewer Naeem Kapadia discuss the productions We Were So Hopeful Then (written by Ellison Tan and directed by Alvin Tan) and Acting Mad (with texts by Haresh Sharma, Harris Albar and Maryam Noorhimli and directed by Haresh Sharma), presented as part of The Orange Production 2019 by The Necessary Stage...
© » ARTS EQUATOR
about 60 months ago (05/21/2019)
Reframing Colonialism: “Civilised” by The Necessary Stage | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography May 22, 2019 By Naeem Kapadia (954 words, 4-minute read) There has been a slew of works responding to the bicentennial of Singapore’s founding by Sir Stamford Raffles, an event that the authorities have chosen to spend all year celebrating through a series of activities such as guided tours, exhibitions and immersive performances...
© » ARTS EQUATOR
about 61 months ago (05/07/2019)
Does Singapore Theatre Have a Directing Problem? | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tan Ngiap Heng May 7, 2019 By Adam Marple (1,781 words, 9-minute read) I always tell people this, right, if there was an international convention that invites the main people, directors from Singapore over, and that plane crashes, we’re screwed, right? We don’t have anything else....
© » ARTS EQUATOR
about 63 months ago (02/22/2019)
To V and S in "Off Centre" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography Foreground: Saloma (Sakinah Dollah), background: Vinod (Abdul Latiff Abdullah) February 22, 2019 By Teo Xiao Ting (1,103 words, five-minute read) Dear Saloma and Vinod, I first met the two of you seven years ago, when I was 16...
© » ARTS EQUATOR
about 63 months ago (02/22/2019)
Pain and Cauterisation in "Off Centre" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles Tuckys Photography Saloma (Sakinah Dollah) and Vinod (Abdulatiff Abdullah) February 22, 2019 By Casidhe Ng (1, 543 words, eight-minute read) When the play ends (although it never really ends), Saloma sits on stage, alone, even after the house lights have been turned back on, with a look of uncertainty and shock plastered across her face...
© » ARTS EQUATOR
about 64 months ago (02/04/2019)
Weekly Picks: Singapore (4 – 10 February 2019) | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Weekly To Do February 4, 2019 Trying to remember a tree (iii) – The World will surely Collapse by Robert Zhao Renhui, ShanghART Singapore at Gillman Barracks, until 23 Jun 2019 ShanghART Singapore is pleased to show Trying to Remember a Tree (iii) – The world will surely collapse, a special outdoor light box installation by Singaporean artist Robert Zhao Renhui, presented in conjunction with Gillman Barracks’ 6th Anniversary x Art After Dark...
© » ARTS EQUATOR
about 65 months ago (01/03/2019)
ArtsEquator's Top 10 Articles of 2018 | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles January 3, 2019 Before we plunge headlong into 2019, here’s a quick recap of some of our most-read articles on ArtsEquator, in ascending order...
© » ARTS EQUATOR
about 69 months ago (09/12/2018)
Book Review: "Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre" | ArtsEquator Thinking and Talking about Arts and Culture in Southeast Asia Articles September 12, 2018 By Felipe Cervera (1600 words, eight-minute read) Excavations, Interrogations, Krishen Jit & Contemporary Malaysian Theatre , edited by Charlene Rajendran, Ken Takiguchi and Carmen Nge, is a long overdue resource that sheds light on important aspects of the cultural, artistic, and political histories of Malaysian contemporary theatre—and, by extension, some medullar elements of Singaporean theatre too...
